News from

Archaeology

Reset All Filters
127 Results
Four Penn faculty awarded Guggenheim Fellowships
four faculty faces

Four Penn faculty have been awarded a 2022 Guggenheim Fellowship. They are (left to right, top to bottom) Daniel Barber in architecture in the Weitzman School of Design and Kimberly Bowes in classical studies, Guthrie Ramsey in music, and Paul Saint-Amour in English, all in the School of Arts & Sciences.

Four Penn faculty awarded Guggenheim Fellowships

Four faculty have been named 2022 Guggenheim Fellows—Daniel Barber in architecture in the Weitzman School of Design and Kimberly Bowes in classical studies, Guthrie Ramsey in music, and Paul Saint-Amour in English in the School of Arts & Sciences.

Louisa Shepard , Louisa Shepard

Keepers of the cultural memory
An old and large book upside down on a table, being held by two sets of hands, one gloved, the other not. There are boxes and other materials all around.

Workers at the rare manuscripts and old printed books department of the Andrey Sheptytsky National Museum store them in cardboard boxes to reduce the risk of damage in the event of an attack in the western Ukrainian city of Lviv, Friday, March 4, 2022. (Image: AP Photo/Bernat Armangue)

AP Photo/Bernat Armangue

Keepers of the cultural memory

In wartime, saving human lives is a top priority. But secondary considerations often include preserving the cultural heritage also under siege. Penn experts offer their thoughts as the situation in Ukraine continues to unfold.

Michele W. Berger

Christopher Woods on his first year as director of the Penn Museum
Person standing in front of a sphinx in a museum

One year in, Penn Museum Director Christopher Woods has  continued to lead the massive transformation of the 135-year-old institution’s building while reevaluating the collection, expanding the staff, strengthening community engagement, and addressing sensitive issues through new policies.

Christopher Woods on his first year as director of the Penn Museum

Penn Museum Director Christopher Woods leads the massive transformation of the 135-year-old institution’s building while reevaluating the collection, expanding the staff and community engagement, and addressing sensitive issues through new policies.

Louisa Shepard

The now-faded walls of a medieval structure, reimagined in digital form
serbian church fresco

The now-faded walls of a medieval structure, reimagined in digital form

History of Art’s Ivan Drpić is working with sophomore Logan Cho to create 3D renderings of what once-gilded paintings on the walls of a medieval church in Serbia would have looked like.

Louisa Shepard

From 2,800-year-old charred food lumps, a window into past civilizations
Kathy Morrison sitting at a computer in a lab, gesturing to grad student Moriah McKenna. They both wear white lab coats. In front of them is a computer screen with what looks like a large rock. Next to the computer is a large microscope with its light on.

Archaeologist Kathleen Morrison (center) and anthropology doctoral student Moriah McKenna discuss one of the charred lumps from a 2010 excavation in southern India. The image is possible thanks to a new microscope, seen here on the right, that takes and stitches together high-resolution images in incredible detail. (Image: Eric Sucar)

  • Q&A

    • From 2,800-year-old charred food lumps, a window into past civilizations

    At a site in southern India, archaeologist Kathleen Morrison and colleagues discovered the remains of two types of dough, offering insights into how the region’s dietary practices have evolved.

    Michele W. Berger

    Studying the past through a modern-day lens
    Lynn Meskell standing in front of a glass display case at the Penn Museum.

    Lynn Meskell is the Richard D. Green Penn Integrates Knowledge University Professor in the Department of Anthropology in the School of Arts & Sciences, a professor in the Department of City and Regional Planning and the graduate program in Historic Preservation in the Stuart Weitzman School of Design, and a curator in the Middle East and Asia sections at the Penn Museum.

    (Image: Eric Sucar)

    Studying the past through a modern-day lens

    In a Q & A, archaeologist and PIK Professor Lynn Meskell discusses her background, the subjects that interest her—from espionage to World Heritage sites—and collaborations that have organically arisen at Penn despite the pandemic and a mostly remote first year.

    Michele W. Berger

    Tackling the topic of decolonization
    A mural on a brick wall. On the left-hand side, on a red background, are the word "Decolonize and Chill" in white. Beneath that are the silhouette of two men riding horses. On the right-hand side is a person with a horse, beneath the words "We are still here."

    The mural depicted in this photograph is “Decolonize And Chill/We Are Still Here.” It is by artist and community activist Jaque Fragua from the Pueblo of Jemez, one of the federally recognized tribes in New Mexico, as well as Ishi Glinsky and Shepard Fairey. It is art created out of an ongoing decolonizing space and project called Indian Alley, in Los Angeles. (Image: By wiredforlego, licensed under CC BY-NC 2.0)

  • Q&A

    • Tackling the topic of decolonization

    Deborah Thomas, who runs Penn’s Center for Experimental Ethnography, and Christopher Woods, director of the Penn Museum, discuss a conference on decolonization that starts today.
    ‘The Stories We Wear’ puts a spotlight on fashion spanning 2,500 years
    three garments in glass cases in a museum

    A new Penn Museum exhibition puts a spotlight on fashion,  featuring 250 items spanning 2,500 years, including clothing, jewelry, uniforms, weapons, even tattoos. “The Stories We Wear” will be on view through June 12.

    ‘The Stories We Wear’ puts a spotlight on fashion spanning 2,500 years

    A new Penn Museum exhibition puts a spotlight on fashion featuring 250 items spanning 2,500 years, including clothing, jewelry, uniforms, weapons, even tattoos. “The Stories We Wear” will be on view through June 12.

    Louisa Shepard

    Metal artifacts in Southeast Asia challenge long-held archaeological theory
    A photo of a metal artifact in the shape of a spear on a black background. In the foreground is a scale that runs from 0 to 5 cm.

    An individual can create a stone tool or a pot without assistance, but creating a metal tool like the spear here is a group endeavor—and a complex one. Artifacts like this found in Thailand showed that such metal technology could be developed and exchanged using an economic model based on communities making decisions about how to participate in regional exchange systems. (Image: The Ban Chiang Project)

  • Q&A

    • Metal artifacts in Southeast Asia challenge long-held archaeological theory

    According to the Penn Museum’s Joyce White and Elizabeth Hamilton, prehistoric communities, rather than the ruling elites, in Thailand were the deciders in how to use metal resources.

    Michele W. Berger

    A fieldwork experience, no travel required
    Three people sitting at a table outside all wearing masks. They are around a yellow bin. They are holding tweezers and inspecting small items in the bin. In the foreground are nine styrofoam containers, some with blurred plant material.

    During the archaeobotany lesson led by Chantel White (not pictured) of the Penn Museum’s Center for the Analysis of Archaeological Materials—part of a two-week archaeology bootcamp—students including (from left to right) Ashley Ray, Emily Gladden, and Sarah LaPorte, learned a technique called dry sieving used to separate out organic materials like carbonized seeds, wood, and nutshell.

    A fieldwork experience, no travel required

    During a two-week in-person bootcamp at the Penn Museum, 11 undergrads learned basic archaeological skills in subjects from ceramics and sample-taking to archaeobotany.

    Michele W. Berger