Arnav Lal collects water at Playa Baquerizo on San Cristóbal Island as a sea lion watches.
(Image: Lisa Mattei)
2 min. read
At the Jubilee School in West Philadelphia, undergraduate Sarah Attia sat with a few students—entering grades four to six this fall—and pulled up the website of Temple University’s Charles L. Blockson Afro-American Collection. “I want you to scroll through and find one source from these 19 that you want to take a closer look at,” she said.
Attia and Tiffany R. Smith, humanities coordinator at Scribe Video Center, were teaching students about using the Library of Congress and Blockson collection to find primary sources for an upcoming exhibit about jazz and Philadelphia from the 1940s to ‘60s. The students were specifically researching John Coltrane.
Attia engaged the students with a lot of questions: What’s the difference between a primary and secondary source? How might it be useful to have access to Blockson’s collection of books, newspaper articles, and musical instruments? Why is it important to look at the Black press?
A rising third-year English and urban studies major in the School of Arts & Sciences from Westfield, New Jersey, Attia spent her summer interning at Scribe, a West Philadelphia-based nonprofit focused on media arts education and participatory community filmmaking. The 10-week internship, offered through the Summer Humanities Internship Program, provides a $5,500 award supported by the College of Arts and Sciences and administered through the Center for Undergraduate Research and Fellowships.
Attia says she became interested in the Scribe internship after serving as a teaching assistant this past year for Community Youth Filmmaking, a course that showed her how some communities have struggled to have their stories told in a way that represents them.
A big focus of the internship, she says, has been helping prepare for Scribe’s second North Philadelphia History Festival, which takes place Sept. 25-27. Scribe founder and executive director Louis Massiah notes that the programs and workshops that the nonprofit offers teach people how to use video tools as a way of looking at community issues and concerns. He adds that many programs have developed out of Scribe’s focus on history.
The Coltrane exhibit is part of the history festival; Massiah says Scribe is using the 100th anniversary of Coltrane’s birth (Sept. 23) to look at music, history, and spirituality. The work with Jubilee students stems from Scribe’s longstanding partnership with the school.
“Sarah’s done a huge amount of work,” Massiah says. He adds that she has also been involved in a project looking at liner notes from the late jazz critic Francis Davis, who researched and wrote extensively about Coltrane.
Attia has also been working on Power Politics, an oral history project interviewing organizers and leaders in historically disadvantaged communities. The theme this year is solidarity, and with the mentorship of local journalist Barbara Grant, she is focused on labor and environmental movements.
Attia says this project has taught her skills in research and interviewing. She also visited North Philadelphia, went to the Parkway Central Library to do archival research with maps, and attended a Juneteenth screening of Massiah’s 2025 documentary “TCB: The Toni Cade Bambara School of Organizing,” for which she helped with subtitles.
The internship has shown her a real-world application of her humanities education at Penn, Attia says, because the research produced at Scribe goes directly into the events the nonprofit organizes and the people it honors.
Arnav Lal collects water at Playa Baquerizo on San Cristóbal Island as a sea lion watches.
(Image: Lisa Mattei)
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Nhlanhla Mavuso of Fluid Silicon at work in the Moore Building.
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